我想畫一個「允許」：允許大聲、允許不修邊幅。用塊面與高光替代細節，讓觀者先感到聲音，再看見臉。

I set out to paint a permission—permission to be loud, permission to be rough around the edges. I trade detail for bold planes and highlights, so the viewer feels the sound first, then sees the face.