我畫這幅山景的時候，總覺得自己在「調色」回憶。肉眼看到的冷與遠，經過手就會被加溫、被拉近。那些螢橘色的方塊，像相機的校正卡，也像登山路上的記號布條——提醒我：這不是自然的原稿，而是我參與過的版本。我把它們放在山體、雲層與前景交界，標記我曾猶疑、修正、甚至自以為是的地方。

這件作品想承認一件小事：我們看風景，也在編輯風景。當視線變成選擇，畫面就多了一點人的溫度。

When I painted this range, I felt I was “color-grading” a memory. What the eye finds distant and cold becomes warmer and closer in the hand. The neon squares act like camera calibration cards—and like trail ribbons on a ridge—quiet reminders that this isn’t nature’s raw file, but my participated version. I placed them at the seams of mountain, cloud, and foreground to mark where I hesitated, corrected, or simply imposed myself.

This piece admits a small truth: we don’t just see a landscape; we edit it. As soon as looking becomes choosing, the picture carries a little human warmth.