極近距離的取景，把哭與怒放到幾乎抽象。紅唇是焦點，面部被切成簡潔的色塊與厚實筆觸，像一張測量情緒的地形圖。沒有故事，只有音量。

Shot at extreme close range, cry and rage are scaled to near abstraction. A red mouth anchors the frame while the face breaks into clean planes and dense brushwork—a topographic map of feeling. There’s no narrative, only volume.